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1840's Single Diary Page Of The Classical Actor William Charles Macready (1793-1873) Highlighting His Roles

1840's Single Diary Page Of The Classical Actor William Charles Macready (1793-1873) Highlighting His Roles

Winning Bid
$23.00
Item #1155
Lot #17 of 35
Item Description

William Charles Macready (1793-1873) British Classical Actor played Macbeth and other roles quite well. Was instrumental in bringing the original Shakespeare dialog back to the theater. Toured the US in 1840. A single page from his diary at age 51. Blue paper, with tabs (3) probably for mounting. Talks about himself in the first and third person. He speaks of being in his room at the hotel, 51 years of age and preparing for Hamlet…. Measures 8.75 by 6.1875 inches. Has three paper tabs on the side, edging into individual letters (old mounting). Some edge tone and light tatters. Nice clear hand.
Reference: 204-57
Estimate: $150-$250
William Charles Macready (3 March 1793 – 27 April 1873) was an English actor. He was born in London the son of William Macready the elder, and the actress Christina Ann Birch. Educated at Rugby School, it was his initial intention to go to University of Oxford, but in 1809 financial problems experienced by his father, the lessee of several provincial theatres, called him to share the responsibilities of theatrical management. On 7 June 1810 he made a successful first appearance as Romeo at Birmingham. Other Shakespearian parts followed, but a serious rupture between father and son resulted in the young man's departure for Bath in 1814. Here he remained for two years, with occasional professional visits to other provincial towns. On 16 September 1816, Macready made his first London appearance at Covent Garden as Orestes in The Distressed Mother, a translation of Racine's Andromaque by Ambrose Philips.
Macready's choice of characters was at first confined chiefly to the romantic drama. In 1818 he won a permanent success in Isaac Pocock's (1782–1835) adaptation of Scott's Rob Roy. He showed his capacity for the highest tragedy when he played Richard III at Covent Garden on 25 October 1819. In 1834, and more fully in 1838, for returning the text of King Lear to Shakespeare's text (although in a shortened version), after it had been replaced for more than a hundred and fifty years by Nahum Tate's happy-ending adaptation, The History of King Lear. Already Macready had done something to encourage the creation of a modern English drama, and after entering on the management of Covent Garden in 1837 he introduced Robert Browning's Strafford, and in the following year Bulwer-Lytton's Lady of Lyons and Richelieu, the principal characters in which were among his most effective parts. On 10 June 1838 he gave a memorable performance of Henry V, for which Stanfield prepared sketches, and the mounting was superintended by Bulwer-Lytton, Dickens, Forster, Maclise, W. J. Fox and other friends.
The first production of Bulwer-Lytton's Money took place under the artistic direction of Count d'Orsay on 8 December 1840, Macready winning unmistakable success in the character of Alfred Evelyn. Both in his management of Covent Garden, which he resigned in 1839, and of Drury Lane, which he held from 1841 to 1843, he found his designs for the elevation of the stage frustrated by the absence of adequate public support.
In 1843 he staged Cymbeline. In 1843–1844 he made a successful tour in the United States, but his last visit to the country in 1849 was marred by a riot at the Astor Opera House, New York, arising from the jealousy of the actor Edwin Forrest, and resulting in the death of twenty-three people and injured a hundred, who were shot by the militia called out to quell the disturbance; Judge Charles Patrick Daly later presided at the trial. Both Forrest and Macready were playing Macbeth in concurrent, competing productions at the time of the riot, a fact which added to the ominous reputation of that play.
American playwright Richard Nelson dramatized the events surrounding the riot in his 1990 play Two Shakespearean Actors. Macready took leave of the stage in a farewell performance of Macbeth at Drury Lane on 26 February 1851. The remainder of his life was spent in happy retirement, and he died at Cheltenham on 27 April 1873. He married twice, firstly in 1823 to Catherine Frances Atkins (d. 1852).

Notes: Toned and tabs added that impinge on some letters, overall good condition. See photos.

Estimate

$150 - $250

Dimensions

8.75" x 0.001" x 6.1875"

Categories

Sports Memorabilia, Trading Cards & Ephemera, Envelopes & Letters

Buyer's Premium

20%

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Calix Books
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